Lastly, for those who add multiple nodes to their shots, the dedicated Add Node button is a real time saver and a very convenient feature to have.ĭespite the added convenience of the extra knobs and buttons, there are some features of the Mini Panel that Matt found a bit odd. Secondly, the knobs give users the extra speed for rapid and easy navigation through power windows. In the first place, the additional knobs allow for easier manipulation of the RGB bars in comparison to using the mouse to make adjustments. So, is it worth paying two thousand dollars extra for the Mini Panel’s increased feature set? According to Matt, there are three reasons why the Mini is better than the Micro. The functionality that gives Mini its higher price tag, however, includes the addition of dual displays, as well as some extra shortcuts and control buttons. Both units share the same essential features: three color trackballs, three luma wheels, control knobs as well as some basic transport controls. For starters, the Micro panel is priced at roughly a thousand dollars whereas the Mini goes for three thousand. Those of you who still haven’t got a chance to test out the Blackmagic Design’s proprietary line of color grading panels might be wondering what differentiates the Micro and Mini variations. In the video below, Matt of Cinematography Database puts things into perspective by sharing his opinion on which one of the two devices would better serve your color grading workflow. Two of the obvious choices that come to mind instantly in that regard are the Blackmagic Design DaVinci Resolve Micro and Mini Panels. If you’re someone who needs to deal with color correction and grading tasks on a daily basis, you would probably agree that having a dedicated color control surface is a mandatory piece of hardware that should be part of any professional color grading suite no matter what.
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